Award-wining director of creative technology Mic Pool reveals how sound and video design create a magical onstage world
What does a "director of creative technology" do?
Sound and video design, in the main. I try to come up with solutions to design problems using digital technology.
How did you get into working with theatrical sound and technology?
Originally I was a chorister at Magdalen College, but it became increasingly obvious that I wasn't going to have a career as a professional singer or musician, and I became more and more interested in theatre, and technical theatre in particular. Then I went to Mountview theatre academy in the late 1970s. Technical theatre education was very different then to what it is today – there wasn't very much formal teaching, but there were 11 shows a term that you'd work on as a student, and you could always find new ways of doing things. That was tremendously exciting.
Breakthrough production?
A play called The Ice Chimney by Barry Collins that was on at the Lyric Hammersmith, and won a Fringe First in Edinburgh in about 1980.