There have been few problems within contemporary Catholicism that arouse such passions as the subject of Eugenio Pacelli, known to history as Pope Pius XII (1876-1958). Pacelli has been the center of a storm since 1963. In that year Rolf Hochhuth’s play The Deputy opened in Germany. His scathing summation of Pacelli opened the way for a re-evaluation of the role of the man who had been widely credited with the saving of thousands of Jewish lives. The ‘saviour’ of Europe’s Jews was demonized for remaining silent and passive as the trains rolled east.
Within five years of his death, critical study of the man began in academic circles. It coincided with the first major studies of the Holocaust. Questions were raised over the role of the Pope and inconsistencies emerged between the received and popular histories and evidence discovered in archives, document centers and libraries. For the majority of these historians, research was limited to the war years. Few scholars, including Vatican historians, have researched the whole picture of the life of Read the full article
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